Beijing Rocking is a program focused on independent Chinese films and moving image works presenting rock n roll music scene in Beijing, which not only gives a glimpse on the subcultural scene in a political center of collectivism, but also offer a perspective of the youngsters’ living status in this fast-changing city. By presenting a comparison of some representative works from the 1990～2000 and 2010～now, the exhibition aimed on  In this case, I especially focused on two distinctive director’s works , Zhang Yuan and Peng Lei. By showing their representative works with distinctive aesthetics, production and purposes, hoping to generate a discussion on how the artists reply to different context and their subvertion to the mainstream.

In the 1990s, a series of independent films focusing on Beijing rock music emerged among the ‘sixth-generation’ directors. This influx was closely related to the popularity of rock music in the late 80s in Beijing and the 1989 campaign triggering strict control of such activities by government. Among them, Beijing Bastard is the first one appeared and the most radical step in such a theme. Filmed in semi-documantary style, it showed directly the crucial period of earlyrock scene in beijing, in which almost included all the biggest names of the early Chinese rock n roll :Cui Jian, Dou Wei, He Yong and some cultural celebrities. As a fan of rock ,Zhang gets really close to these people, therefore lots of the rockers’ daily life scene is captured in the film. At that time, Cui Jian, the pioneer of Chinese rock, was banned to public concerts by the government, whereas Zhang Yuan boldly used him to play himself in life ,performing in live house.

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